terça-feira, 31 de março de 2009

ELECTRO MARÇO 2009 PARTE 2

Survivor Project - Eye Of The Tiger 2009 (e-Bo Garage Reworked)

Seventh Son & Ethan North - Adagio For Strings (Original Mix)

Remote Control - Kidz (Michael Woods Remix)

Pink - Please Dont Leave Me (Digital Dog Club Mix)

Pink - Get This Party Started 2009 (Electro Remix)

Miles Dyson - Minimal My Ass (Miles Dyson & Flutuance Remix)

Draw Key - Godfather ( Original Mix )

Doman & Gooding Feat. Dru & Lincoln - Runnin (Ian Carey Dub)

Commercial Club Crew - Toy Soldiers (Tale & Dutch Remix)

Abel The Kid - Tell Me (Raul Ortiz & Javi Reina Remix)

Nomad Factory Analog Mastering Tools

Nomad Factory Analog Mastering Tools
Consists Of Three Plugins
The A.M.T Amp Leveling is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU consumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.

* High quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Recovery (Release Time) 5 settings
* Full Automation for all parameters PC and Mac OS X
* Easy-to-use vintage interface.
* Windows XP / Vista32
* VST, AU and RTAS supported
* 24 bit / 192 kHz supported

The A.M.T Max Warm is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dynamic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.

* High quality signal processing algorithms
* Peak Limiting and Loudness Maximizing with Baxandall Equalizer (Shelving/Peaking).
* Look-ahead Brickwall limiting
* Low and High Shelving controls - Boost / Cut up to 12dB
* Low Frequency variable from 60 Hz to 800 Hz (Shelving/Peaking)
* High Frequency variable from 1.2 kHz to 16 kHz (Shelving/Peaking)
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) from 10ms to 999ms

The A.M.T Multi Max multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately split and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.

* 3-Band crossover high quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Low, Mid and High bands gain controls - Boost / Cut up to 12dB per band
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) 5 settings

Download Link
http://rapidshare.com/files/192503960/amt.rar.html

Synful Orchestra VST/DXi Plug-In

Synful Orchestra VST/DXi Plug-In
Realism, Expression and Smart Articulation

Realistic instrument simulations depend on the transitions between notes, as
much as on the individual timbres. Slurs with varying amounts of portamento, lightly tongued or bowed note transitions, fast runs, detached hard attacks – these note transitions are the connective tissue of musical expression. Whether you play live from keyboard or edit directly in a sequencer Synful Orchestra responds automatically with realistic sounding note transitions. There are no special buttons or phrasing tools. If you play staccato Synful Orchestra creates staccato attacks. If you play legato Synful Orchestra creates realistic legato transitions. Synful Orchestra models the way notes are sustained, the graceful onset of vibrato, breath sounds, the sound of the bow on the string, the change of tone color as a note becomes louder or softer. Using the innovate Synful Pitch Wheel mode, you can easily create natural string portamento. Synful Orchestra lets you make music like a musician not like a programmer.
Synful Reconstructive Phrase Modeling Technology

Synful Orchestra is not a sampler or a sample library. Synful Orchestra is not a physical modeling synthesizer. It is an entirely new concept in music synthesis. At the heart of Synful Orchestra is Synful’s Reconstructive Phrase Modeling (RPM) technology. This is the result of many years of research, several patents, and a lifetime of experimentation, design, and frustration with older synthesis technologies.
RPM Phrase Database: Morphing and Splicing

RPM technology uses a database of recorded phrases of orchestral instruments. These are not recordings of isolated notes but complete musical passages that represent all kinds of articulation and phrasing. When Synful Orchestra receives MIDI input it looks at the pitch, velocity, amount of separation or overlap between notes, note duration, volume, pitch, and modulation controls to determine what kind of phrase is being played. Synful Orchestra uses a set of advanced algorithms to search the RPM Phrase Database in real-time for fragments that can be spliced together to form this phrase. These fragments represent transitions between notes, slurs with portamento, lightly tongued transitions, aggressive fast bowing, rapid runs, long sustain regions with graceful vibrato, and noise elements like flute chiffs and bow scratches. Synful Orchestra morphs these fragments by stretching and shifting in time and pitch so that they combine to form the final output.

Get the technical paper Music Synthesis with Reconstructive Phrase Modeling published in IEEE Signal Processing Magazine, March 2007
Synful RPM Additive Synthesis

A single note in Synful Orchestra may be built from three or more rapidly spliced RPM phrase fragments. Splicing ordinary PCM sampled sounds in this way would create unacceptable warbles and clicks. Synful Orchestra uses a patented form of additive synthesis in which sounds are generated from combinations of pure sine waves and noise elements. This gives Synful Orchestra the ability to rapidly stretch, shift, and splice phrase fragments while preserving perfect phrase continuity.
MIDI Look Ahead

Realistic note transitions begin before a new note starts. When a wind player plays a slur, the timbre and intensity of the current note begins to change well before the pitch changes to the new note. This anticipation of the upcoming note is a key aspect of expressive playing. Performers can do this because they know ahead of time when they are going to play a new note and they prepare for it with changes in embouchure and breath pressure.

To model this kind of expression a synthesizer needs to have the same knowledge of the future. Synful Orchestra handles this with two modes of operation. When playing live from a keyboard Synful Orchestra has no knowledge of when a new note is coming, and so it does its best to react as expressively as possible with low latency when a new note occurs. However, when playing from a sequence Synful Orchestra can optionally add a delay to the Midi input. This delay allows Synful Orchestra to look ahead in the Midi sequence, recognize when a new note is coming, and anticipate it with appropriate changes to the timbre and intensity of the current note. The result is more realistic and natural phrasing.
Realistic String, Brass, and Woodwind Sections

Any Synful Orchestra solo instrument can be turned into a natural sounding section. Synful Orchestra uses its RPM database to guarantee realistic variation between players. You can select the number of players in the section, how the players are positioned on stage, the rhythmic variation between the players, detuning among the players, and more.
Natural Divisi

Synful Orchestra sections simulate realistic and natural divisi. If you play a monophonic line with ten violin players then they all play that line. If you play a ten note chord then each player will play one note in the chord and the ten players will be spread out in space. If you play three note chords then the ten players distribute themselves automatically 4-3-3 across the notes.
Flexible Player Positioning

Synful Orchestra instruments are positioned on a virtual stage. The player and listener positions and room size can be adjusted. Each instrument in the orchestra sounds like its coming from a specific location. The Synful sound positioning technology uses inter-aural level differences and inter-aural time differences, direct signals and as well as wall and ceiling reflections to synthesize player position. The result is much more realistic sounding than simple panning.
Authentic Vibrato Controlled from the Mod Wheel

Traditional samplers have two ways of introducing vibrato – both are inadequate. In the first, the vibrato is recorded with the sample. The vibrato can sound authentic but it is frozen so that you cannot control it as part of an expressive performance. The second way records samples without vibrato and then applies artificial frequency and amplitude modulation (LFO) during synthesis. This allows expressive control but sounds artificial because the vibrato is too simple. Synful Orchestra uses its RPM additive synthesis technology to provide the best of both techniques. With Synful Orchestra the vibrato you hear is the original rich and complex vibrato of the recorded phrases in the RPM database. However, you can also control the vibrato using the Mod wheel so that it sounds expressive within the context of the phrase.
Synful Pitch Wheel Mode

Getting authentic sounding string slides and portamento has always been challenging for synthesizers and samplers. Synful introduces the new Synful Pitch Wheel Mode which makes it easy to generate expressive and natural sounding pitch slides and portamento.
Synful Orchestra is Small and Efficient – Great for Desktops and Notebooks

The recorded phrases in the RPM phrase database are stored in additive synthesis format not as PCM sampled wave files. This method of storing instrumental sounds is much more compact then traditional PCM. The entire Synful Orchestra fits in just 32M of memory and loads in seconds. Because of its compact size Synful Orchestra has no need for disk streaming and does not require a computer with a state of the art high-speed disk system. Synful Orchestra runs great on ordinary desktop and notebook computers.
Synful Orchestra Instruments

Piccolo *, Flute, Oboe, English Horn, Clarinet, Bass Clarinet*, Bassoon, Contra-Bassoon, French Horn, Trumpet, Trombone, Bass Trombone *, Tuba*, Violin, Viola, Cello, Contrabass.
PARA DOWNLOAD CLIQUE NA IMAGEM OU NO NOME DO PROGRAMA EM CIMA DO POST

FabFilter.Twin.VSTi.RTAS.v2.0-AiR.rar (PC Only)

FabFilter.Twin.VSTi.RTAS.v2.0-AiR.rar (PC Only)
FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze! Rather use presets? Twin 2 comes with more than 1600 quality sounds that you can use right away.

Programming Twin 2 is easy and fast. The what-you-use-is-what-you-see interface shows only what you are actually using, and the graphic component buttons give you direct access to the most important settings from the impressive list of features.

With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 2 offers practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop.
link:
http://www.zshare.net/download/55473346d5c13aa3/

Sound Ideas Series 1000 SFX Library

Sound Ideas Series 1000 SFX Library
MP3 128 Kbps | 28 CDs | 1.36 GB

This is where it all began at Sound Ideas - our original Series 1000 royalty free sound effects audio tape library was the first sound effect library of its kind to be made available on compact disc. Its 28 CDs contain over 3,000 professional quality analog sound effects in a wide variety of categories. This collection from the 1960s and 70s is also a valuable source of vintage archival sound effects.

CD Titles of this Sound Effects Collection:

1001 Airplanes
1002 Animals
1003 Airports, Archery, Applause, Automobiles
1004 Automobiles
1005 Baseball, Bells, Bicycles, Camers, Clocks
1006 Birds, Boxing, Buzzers
1007 Children, Computers
1008 Construction
1009 Construction, Crashes, Crowds, Doors, Drawbridges
1010 Crowds
1011 Electronics, Earthquakes, Elevators, Exercise
1012 Explosions, Fairs, Farms, Football, Fire, Guns
1013 Footsteps, Foreign Sounds, Gambling, Golf
1014 Helicopters, Horns, Hockey, Glass Sounds
1015 Household Sounds
1016 Human Sounds, Jungles, Laboratory, Laughter, Logging
1017 Indians, Industry
1018 Naval Boats, Ships, Motorcycles
1019 Military Battles, Guns, Harps
1020 Musical & Percussion Instruments
1021 Musical & Percussion Instruments
1022 Office, Country Sounds, Parades
1023 Pinball, Post Offices, Projectors, Pumps, Rodeos,Restaurants, Roller Coasters
1024 Service Stations, Sirens, Snowmobiles, Space Sounds
1025 Stores, Swimming, Subways, Telephones
1026 Rain, Thunder, Tennis, Taxis, Trains, Umbrellas, Vacuum Cleaners, Vendors
1027 Traffic, Trucks, Buses
1028 Water, Whistles, Wind, Zippers

Tracklist http://www.sound-ideas.com/pdf/1000.pdf

http://rapidshare.com/files/113953942/Sound_Ideas_1000_series.part01.rar
http://rapidshare.com/files/113953943/Sound_Ideas_1000_series.part02.rar
http://rapidshare.com/files/113979252/Sound_Ideas_1000_series.part03.rar
http://rapidshare.com/files/113979254/Sound_Ideas_1000_series.part04.rar
http://rapidshare.com/files/114014214/Sound_Ideas_1000_series.part05.rar
http://rapidshare.com/files/114014216/Sound_Ideas_1000_series.part06.rar
http://rapidshare.com/files/114033893/Sound_Ideas_1000_series.part07.rar
http://rapidshare.com/files/114033896/Sound_Ideas_1000_series.part08.rar
http://rapidshare.com/files/114046562/Sound_Ideas_1000_series.part09.rar
http://rapidshare.com/files/114046564/Sound_Ideas_1000_series.part10.rar
http://rapidshare.com/files/114058697/Sound_Ideas_1000_series.part11.rar
http://rapidshare.com/files/114058699/Sound_Ideas_1000_series.part12.rar
http://rapidshare.com/files/114170188/Sound_Ideas_1000_series.part13.rar
http://rapidshare.com/files/114170192/Sound_Ideas_1000_series.part14.rar
http://rapidshare.com/files/114194534/Sound_Ideas_1000_series.part15.rar
http://rapidshare.com/files/114194540/Sound_Ideas_1000_series.part16.rar
http://rapidshare.com/files/114221627/Sound_Ideas_1000_series.part17.rar
http://rapidshare.com/files/114221628/Sound_Ideas_1000_series.part18.rar
http://rapidshare.com/files/114242306/Sound_Ideas_1000_series.part19.rar
http://rapidshare.com/files/114242307/Sound_Ideas_1000_series.part20.rar
http://rapidshare.com/files/114259820/Sound_Ideas_1000_series.part21.rar
http://rapidshare.com/files/114259824/Sound_Ideas_1000_series.part22.rar
http://rapidshare.com/files/114274396/Sound_Ideas_1000_series.part23.rar
http://rapidshare.com/files/114274398/Sound_Ideas_1000_series.part24.rar
http://rapidshare.com/files/114501311/Sound_Ideas_1000_series.part25.rar
http://rapidshare.com/files/114501312/Sound_Ideas_1000_series.part26.rar
http://rapidshare.com/files/114516069/Sound_Ideas_1000_series.part27.rar
http://rapidshare.com/files/114516071/Sound_Ideas_1000_series.part28.rar
http://rapidshare.com/files/114754734/Sound_Ideas_1000_series.part29.rar
http://rapidshare.com/files/114754735/Sound_Ideas_1000_series.part30.rar

material dj

Edirol HQ Collection [Re-Up] - Full collection

Edirol Hq Orchestral v1.03

Orchestral instruments come alive with rich ambient piano and stereo sampled string sounds in the new Edirol HQ-OR
Software Synthesizer. The premium sounds in this synth are perfectly combined for lush soundtracks and beautiful
classical arrangements. And its multiple output compatible with DXi 2.0 and VST 2.0 means you can enjoy your arrangements through several audio devices…simultaneously!
The Orchestral Plug-In Software Synthesizer Orchestral provides premium acoustic sounds, focusing on Strings, Wood
winds, and Brass winds, as well as Percussion and Keyboards. These high quality samples include realistic articulations
such as vibrato, spiccato, pizzicato, and tremolo. Using ample wave memory, Strings/Brass winds tones are selectable
from solo, part section, and full section, making this ideal for the composition of contemporary music, sound tracks,
and marching bands. The premium sounds in this synthesizer are perfectly combined for lush soundtracks and beautiful
orchestral arrangements.

Descargas:

http://rapidshare.com/files/44479991/Orchestral.part1.rar
http://rapidshare.com/files/44480670/Orchestral.part2.rar

Edirol HQ SuperQuartet v1.52

Plug-In Software Synthesizer set of four contemporary music instruments - Piano, Guitar, Bass, and Drums. Create your
own exceptional sound with Super Quartet!!
This High Quality software synthesizer is equipped with a new sampling waveform and software synthesizer engine that
generates amazing quality sound, ideal for new musical creation possibilities. Roland?s synthesizer technology makes it
possible to use expressive waveforms of various kinds.
The software has dedicated control panels to easily customize the sounds. Each instrument has levels of variation tones
that are useful for a wide variety of music.

Tone Variation Examples
Piano - Concert Grand, Upright, Electronic, Rock, etc.
Guitar - Nylon classic, Steel, Electronic Acoustic, Jazz, Clean, etc.
Bass - Wood, Finger, Picked, Fretless, etc.
Drums - Standard, Brush.

Descarga:

http://rapidshare.com/files/44491413/Quartet.rar

Edirol Hyper Canvas v1.53

HyperCanvas GM2 is GM2 (General MIDI System Level 2) compatible, with 256 sounds and 9 drum sets. Play Jazz, Rock,
Classics and more with your unique collection of studio quality instrument sounds.
HyperCanvas GM2 contains multiple rich sound sources to help you create professional music of any kind. Features include
a friendly user interface and a dedicated control panel to easily customize the sounds. Each instrument has levels of
variation tones that are useful for a wide variety of music.
The High Quality software synthesizer is equipped with a new sampling waveform and software synthesizer engine that
generates amazing quality sound, ideal for new musical creation possibilities. Roland?s synthesizer technology is used to make expressive waveform of various kinds possible. The Software includes 2 Plug-in versions, DirectX Instruments and VST Instruments. This sound source can now be integrated for excellent results using the best sequencing software in the world

Descarga:

http://rapidshare.com/files/44497908/Canvas.rar

Contrasenha para os 3: www.magesy.net